Time spirit and fashion concept
Fashion is an external manifestation of the spiritual style of the entire era. It is also a carrier of aesthetics of life, and materialize it in a certain life group.As a type of social phenomenon, it is extremely complicated. Fashion is closely linked to social change, economic rise and fall, human cultural level, and consumer psychology.Therefore, fashion is closely linked to the spirit of the times.
The concept of Zeitgeist refers to the concept and way of thinking in the society in a certain period of time. The spirit of the times in each time can inspire people to do specific behaviors in a certain period of time.And way of thinking.Fashion Thoughts can be expressed as Zeitgeist in German, and German philosopher G.W.F.HEGEL (17701831) believes that art in essence reflects the culture when it is created.You can see the culture in each of his works.In general, fashion can reflect the style of an era. It is a carrier of aesthetics of life and transformed into the lifestyle of a certain population.
The so -called fashion concept refers to what fashion is regarded.In the long river of fashion, fashion is always driven by the collective selection of mainstream groups under the spirit of the times, such as the fashion driven by the old bourgeoisie and salon in the middle of the eighteenth to 19th century;Fashion; the younger generation since the 20th century. The fashion -driven fashion; the category of art and fashion; the fashion of the subculture group movement and the edge and segmented market of the rising market in the 21st century.
Analyzing fashion and describing the state of its presentation needs to be placed in a wider world and more dimension.Learn from Zheng Juxin to explore the relationship between fashion and social change, urban development, and design strategies based on the perspective of phenomenology.And join the thinking between fashion and space, and refine it to the following three points:
Fashion and social change.Fashion should not escape the concept of sociality, and exist alone as a complete concept of independence. Fashion is closely integrated with the spirit of the times.In turn, it also constitutes the force to promote social development.As a result, the two always exist in the relationship of an image, regardless of each other.The existence of fashion does not represent human consciousness to reflect social reality, but a phenomenon presentation method that occurred by society, and is in the interaction of the destiny domain of the society.
Fashion and space levels.The non -independent existence of fashion makes it unavoidable to contact social space. Socials in cities are often more suitable for fashion than society without cities.Combining the concept of the field theory and “Structural Homology” in Budihe, the national space of society, systems, history, and cultural capital has laid the benchmark for the national space of social, system, history, and cultural capital.It is believed that producers and consumers have homology. Among them, consumer groups of specific classes affect the position of designers in the fashion circle. Stores and magazines are promoted to produce “homologous”.
